Ivo: The best movies of 2012 | F ramespotting
Repressive self-punishment and guilt are just starting points to ravage passion in its fight to be shared. Melancholic performance of Rachel Weisz is among the best of the year, and the movie theater is poetry and an exercise in style.
Portuguese film deals with the memories and historical memory. Narrative is more than wonderful, and the black and white aesthetic defines melodrama as the primary thing that you simply need to be told. And it really is more than interesting.
Chronicle e interesting, unusual and certainly relatively modest, despite its shortcomings, the feeling of leaving something unfinished. Perhaps one of the biggest pluses of the film is the development of the main character, whose motives and transformation are so realistic, sincere and painful as any shaky / hand-held / found-footage camera can not ride. Style and meaning.
Death by category and understanding of life. Heavy and dark, tragic film our nature, crystallized in visual metaphors and epithets. Destiny is fair only for the strong, who managed to overcome with grief for the lost, realizing his own mortality.
Melodramatic 82 academy awards or not spilbargski, The Impossible, pure and sincere causes range of emotions, reminding what authority has audiovisual above the modern spectator. But not only that: The Impossible talking about something spectacular, which did not remain 82 academy awards indifferent to what is happening on the screen - close to you those loved ones without which the individual 82 academy awards is not fully in the world of postmodern society where masonry and love are the basic units
It's beautiful how the purity of love overshadows sentimental and moral failure of adults in melancholy coloring a story that just wants to capture the thrill of the first kiss. Light and crystal, Moonrise Kingdom is bathed in sunlight and many color, where a story about love, extravagant and well sweetened, happens to all your fetishes from childhood of the 60s in a measured and strictly cinematic universe full details and audio-visual metaphors. Moonrise Kingdom reached universal human complex, but never loses its primary exciting story about two children refugees willing to perform the impossible 82 academy awards to achieve happiness.
When drama about the story of two parents facing a battle for the lives of their sick child becomes an anti-drama and film festival for the human spirit, were able to fight and keep a positive charge to the end, and when all that is presented a surprising approach, delicate and humane anagazhirasht positions, then we can talk about aerobatics in the genre and contemporary cinema.
Paradoxically, for all its problematic, Beasts Of The Southern Wild functions flawlessly. This means in particular that it pulls right strings at the right time is extremely concentrated, and always knows what he wants for himself. The clearest example of this is the point at which Hashpapi confronts the demon of fantasies (clearly demonstrates that when you film with a modest budget, you do not need it to be seen). At this point, the realization that the tape would not allow the triviality limit the ability to influence resonates in the mind. Namely pathetic its impact lies the key to its effectiveness Beasts Of The Southern Wild.
Once powerful film by Romanian 82 academy awards director Cristian Mingiu. Polemical, but clear enough in their positions. Pacific terror, which was directed masterfully recreates and means of expression define a fun atmosphere 82 academy awards of fear and tension synthesized. Reality that recreates Mingiu mistaken and perverse and critical call that things are wrong is more than sharp.
Another strong band of Japanese master Sion Sono. Story of our own demons to our miserable existence, to fight for happiness 82 academy awards as perverse definition of society. Breathtaking, poetic, beautiful.
Margaret is a raw film about guilt and self-centeredness to laugh during the funeral for the audacity to bring to the surface truth for its own security, even depended on others' happiness, courage to prove that if you have a fault, it also is a driver who does not stop at the crosswalk 82 academy awards ...
Minimalist Masterpiece by Michael Haneke. Melodrama becomes quiet horror, pain becomes transparent. Emmanuelle Riva and Jean-Louis Trintignant jump into the abyss. The main actors recreate two tormented character. Each movement is measured and filled with feelings of pain, anxiety and suffering. Ode to love, immortal love.
Cold and rhythmic, with attention to detail, technical 82 academy awards perfect. Kathryn Bigelow directed the character of Jessica Chastain, making real history in artistic cinema, so documentary realism becomes technique-vehicle working in letting go perfect combination
Repressive self-punishment and guilt are just starting points to ravage passion in its fight to be shared. Melancholic performance of Rachel Weisz is among the best of the year, and the movie theater is poetry and an exercise in style.
Portuguese film deals with the memories and historical memory. Narrative is more than wonderful, and the black and white aesthetic defines melodrama as the primary thing that you simply need to be told. And it really is more than interesting.
Chronicle e interesting, unusual and certainly relatively modest, despite its shortcomings, the feeling of leaving something unfinished. Perhaps one of the biggest pluses of the film is the development of the main character, whose motives and transformation are so realistic, sincere and painful as any shaky / hand-held / found-footage camera can not ride. Style and meaning.
Death by category and understanding of life. Heavy and dark, tragic film our nature, crystallized in visual metaphors and epithets. Destiny is fair only for the strong, who managed to overcome with grief for the lost, realizing his own mortality.
Melodramatic 82 academy awards or not spilbargski, The Impossible, pure and sincere causes range of emotions, reminding what authority has audiovisual above the modern spectator. But not only that: The Impossible talking about something spectacular, which did not remain 82 academy awards indifferent to what is happening on the screen - close to you those loved ones without which the individual 82 academy awards is not fully in the world of postmodern society where masonry and love are the basic units
It's beautiful how the purity of love overshadows sentimental and moral failure of adults in melancholy coloring a story that just wants to capture the thrill of the first kiss. Light and crystal, Moonrise Kingdom is bathed in sunlight and many color, where a story about love, extravagant and well sweetened, happens to all your fetishes from childhood of the 60s in a measured and strictly cinematic universe full details and audio-visual metaphors. Moonrise Kingdom reached universal human complex, but never loses its primary exciting story about two children refugees willing to perform the impossible 82 academy awards to achieve happiness.
When drama about the story of two parents facing a battle for the lives of their sick child becomes an anti-drama and film festival for the human spirit, were able to fight and keep a positive charge to the end, and when all that is presented a surprising approach, delicate and humane anagazhirasht positions, then we can talk about aerobatics in the genre and contemporary cinema.
Paradoxically, for all its problematic, Beasts Of The Southern Wild functions flawlessly. This means in particular that it pulls right strings at the right time is extremely concentrated, and always knows what he wants for himself. The clearest example of this is the point at which Hashpapi confronts the demon of fantasies (clearly demonstrates that when you film with a modest budget, you do not need it to be seen). At this point, the realization that the tape would not allow the triviality limit the ability to influence resonates in the mind. Namely pathetic its impact lies the key to its effectiveness Beasts Of The Southern Wild.
Once powerful film by Romanian 82 academy awards director Cristian Mingiu. Polemical, but clear enough in their positions. Pacific terror, which was directed masterfully recreates and means of expression define a fun atmosphere 82 academy awards of fear and tension synthesized. Reality that recreates Mingiu mistaken and perverse and critical call that things are wrong is more than sharp.
Another strong band of Japanese master Sion Sono. Story of our own demons to our miserable existence, to fight for happiness 82 academy awards as perverse definition of society. Breathtaking, poetic, beautiful.
Margaret is a raw film about guilt and self-centeredness to laugh during the funeral for the audacity to bring to the surface truth for its own security, even depended on others' happiness, courage to prove that if you have a fault, it also is a driver who does not stop at the crosswalk 82 academy awards ...
Minimalist Masterpiece by Michael Haneke. Melodrama becomes quiet horror, pain becomes transparent. Emmanuelle Riva and Jean-Louis Trintignant jump into the abyss. The main actors recreate two tormented character. Each movement is measured and filled with feelings of pain, anxiety and suffering. Ode to love, immortal love.
Cold and rhythmic, with attention to detail, technical 82 academy awards perfect. Kathryn Bigelow directed the character of Jessica Chastain, making real history in artistic cinema, so documentary realism becomes technique-vehicle working in letting go perfect combination
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