It will just happen. ema music You wake up in a morgue and you feel alive. The undertaker says you

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It will just happen. ema music You wake up in a morgue and you feel alive. The undertaker says you are dead and that he can only talk to you because he has a special gift.
It does not seem to go well with teacher Anna (Christina Ricci); she swallows drugs, feel lethargic and have little faith in her relationship with Paul (Justin Long). If Paul during a luxury dinner tells her that he has been in a different city, a job offer Anna thinks he is going to leave her. She storms into tears out of the restaurant and then hit the road in a panic. This was not all that smart of Anna because she had if she had stayed awhile then heard that Paul wanted to ask her and she was not in the morgue Eliot Deacon (Liam Neeson) ended. When Anna wakes up she discovers to her horror that she is. Eliot makes her body ready for burial. Anna can not believe ema music she's dead; she feels alive. Eliot assures her that she is dying and that she is on the way to the afterlife. The reason that Anna can talk to Eliot because he has a special gift with the dead to communicate. Anna still refuses to accept her fate and goes looking for clues that prove she is not dead. Not only Anna is the one who can not accept her death, outside the walls of the mortuary Paul is growing evidence that Anna is still alive, ema music he must, however, make haste because the funeral is coming closer.
Replacement After.Life is the first film by director Agnieszka Wojtowicz-Vosloo after they released ema music the short film Paté in 2001. Eight years later, she finally got the chance to realize a feature film of his own. They probably had not gotten if she had managed ema music not to gather around such a big cast that chance. Kate Bosworth was initially ema music cast in the role of Anna and Alfred Molina for the role of Eliot, there is even a movie poster with Bosworth on it. The reason for replacement remains unclear but it could well be that the production company wanted more established ema music names alongside the inexperienced director. Can Although Ricci seems to slow down a bit the last few years and mainly occurs in series, she has a natural ema music talent to get the darkest from a movie. Liam Neeson is busier than ever, and we can of course ema music do not blame him after the death of his wife in March last year, in 2010, he made no less than five films including The A-Team and Clash of the Titans.
Morbid Movies that take place in morgues guarantee a certain curious tension. The only time we get in a morgue, is when we kick the bucket itself. Before ema music that it remains a mystery what is happening inside. In After.Life there play an important role in the morgue as a backdrop. The workshop of Eliot is cold and sterile and gives no hints about his true nature. Because, Anna is now in hell or the morgue really exists? That's right, the key question of the film because the viewer gets a half hour given information that he / she must ultimately decide whether Anna is dead or alive. The premise of the film is fascinating and morbid actors that contribute to the dark atmosphere are enough to keep the viewer enthralled. It is unfortunate that no oppressive tension is built alongside these major sops, the only time when hearts beat faster when Anna escapes from the morgue and a zombie stumbles through ema music the House of Eliot. After that particular scene we look back relaxed further. The lack of tension could perhaps be related to the key question. Because if Anna hand, very dead, why she tries to escape? And if she's still alive, why she is there but lie?
Just piss and shit The role of Justin Long takes on greater significance as the funeral gets closer. That makes for some liven and challenges the viewer back to let the relaxed attitude loose. Eliot also shows little hint of himself when he talks to Anna about the value of life: "You ema music people walk around ema music and just piss and shit." At the end of the ride we even get next to the key question one way message ome with Eliot; those who do not appreciate life, deserve to die. This message can be seen with some alacrity as the answer to the key question. Frankly, I'm still not out; the film grants the viewer a lot of freedom to the story on his / her way to explain. This can be frustrating for many but fits somewhere huh